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A photograph can show us, in color or in black and white, what’s wrong, what’s right. Look with me inside this ship. 5 We see, through the lens, a crowd
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"query": "A photograph can show us, in color or in black and white, what’s wrong, what’s right. Look with me inside this ship. 5 We see, through the lens, a crowd",
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"id": "historical-migration-photography",
"label": "Historical Migration and Steerage Conditions",
"query": "historical photographs of immigrant ship steerage conditions and the visual documentation of 19th century maritime migration",
"steps": [
"Identify key photographers of early migration",
"Analyze visual depictions of ship overcrowding",
"Compare steerage conditions across different lines",
"Examine the impact on immigration policy"
]
},
{
"id": "ethics-of-atrocity-photography",
"label": "Ethics of Representing Human Suffering",
"query": "ethical dilemmas in documentary photography of human suffering and the role of the photographer as witness",
"steps": [
"Research the concept of the bystander effect",
"Analyze UNICEF photography editor perspectives",
"Evaluate the impact of graphic imagery",
"Study the ethics of photographing vulnerable populations"
]
},
{
"id": "color-vs-monochrome-perception",
"label": "Color vs Black and White Perception",
"query": "psychological impact of color versus black and white photography in historical and documentary contexts",
"steps": [
"Compare emotional responses to colorized images",
"Study black and white as a past marker",
"Analyze the realism of color in documentary",
"Research the history of color film adoption"
]
},
{
"id": "photography-as-legal-testimony",
"label": "Photography as Witness and Testimony",
"query": "the role of documentary photography as legal evidence and moral testimony in international human rights",
"steps": [
"Define the concept of the dialogical witness",
"Research use of photos in international courts",
"Analyze photography's role in public opinion",
"Examine archives of human rights violations"
]
}
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"url": "https://unitednationsofphotography.com/2023/10/28/photography-as-witness-but-should-we-look/",
"domain": "unitednationsofphotography.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Funitednationsofphotography.com",
"title": "Photography As Witness, But Should We Look? – The United Nations of Photography",
"summary": "n the back of the book Ellen Tolmie, a Senior Photography Editor for UNICEF says this, “Picturing Atrocity is an excellent examination of the dilemmas implicit in photography’s representation of human suffering, whether caused by torture.",
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"url": "https://www.norwayheritage.com/Images-from-the-steerage.asp",
"domain": "norwayheritage.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fnorwayheritage.com",
"title": "Images from the Steerage, in the Age of Photography. - Norway Heritage",
"summary": "Taken in 1873, this evocative photograph captures the crowded deck of the steamship moments before departure, as emigrants prepare to leave their homeland behind.",
"summary_detail": "",
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{
"id": 3,
"url": "https://refubium.fu-berlin.de/bitstream/fub188/13500/1/diss_hofmann_elisabeth_maria.pdf",
"domain": "refubium.fu-berlin.de",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Frefubium.fu-berlin.de",
"title": "[PDF] Fotografische Augenzeugenschaft - Refubium",
"summary": "Die im Anschluss jahrelang durch zahlreiche Museen der Welt tourende. Sammlung von fotografischen Bildern ‚des Menschen„ wurde 2003 in das Weltdokumen-.",
"summary_detail": "",
"date": "",
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"id": 4,
"url": "https://imagesociale.fr/519",
"domain": "imagesociale.fr",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fimagesociale.fr",
"title": "Colorisation: les vignettes de l'histoire - L'image sociale",
"summary": "3 nov. 2014 · La généralisation des supports couleur a progressivement fait du noir et blanc un marqueur du passé.",
"summary_detail": "",
"date": "",
"flag": "🇫🇷",
"source_country": "FR",
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"id": 5,
"url": "http://www.memoriaemigrazioni.it/prt_page.asp?idSez=333",
"domain": "memoriaemigrazioni.it",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fmemoriaemigrazioni.it",
"title": "MEM - Memorie e Migrazioni - Immagini da scaricare",
"summary": "Le immagini presentate di seguito sono una selezione dell'archivio che il Mu.MA ha costituito dal 2008, per la realizzazione del MEM - Memoria e Migrazioni · Provenienti da archivi di tutta America (USA, Argentina, Brasile, Italia e Europa) raccontano il viaggio per mare degli emigranti italiani.",
"summary_detail": "",
"date": "",
"flag": "🇮🇹",
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"id": 6,
"url": "https://www.academia.edu/77424710/The_Dialogical_Witness_Morality_and_Ethics_in_Documentary_Photography",
"domain": "academia.edu",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Facademia.edu",
"title": "The Dialogical Witness",
"summary": "Photography, as witness to history, gives testimony in the court of public opinion. Photojournalists are the bearers of that witness.",
"summary_detail": "",
"date": "",
"flag": "🇺🇸",
"source_country": "US",
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{
"id": 7,
"url": "https://www.classicboat.co.uk/articles/the-queen-of-british-yachting-photography/",
"domain": "classicboat.co.uk",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fclassicboat.co.uk",
"title": "Eileen Ramsay: The queen of British yachting photography",
"summary": "Jul 13, 2011 · The work of Eileen Ramsay, the queen of yachting photography from the mid 1950s to early 1970s, is currently being digitised and saved for posterity.",
"summary_detail": "",
"date": "",
"flag": "🇬🇧",
"source_country": "GB",
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{
"id": 8,
"url": "https://www.amnesty.de/journal/2012/september/fotografie-und-menschenrechte",
"domain": "amnesty.de",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Famnesty.de",
"title": "Fotografie und Menschenrechte | Amnesty International",
"summary": "In unzähligen Fällen haben Fotografien dazu beigetragen, dass Menschenrechtsverletzungen in Krisenregionen ein konkretes Gesicht erhielten und nicht betroffene Menschen in fernen Ländern emotional bewegt und zum Handeln motiviert wurden. Die Arbeit der Fotografen, die Menschenrechtsverletzungen in Kriegs- und Krisenregionen dokumentieren und so Aufmerksamkeit für Missstände schaffen, kann daher nicht hoch genug bewer.",
"summary_detail": "",
"date": "",
"flag": "🇩🇪",
"source_country": "DE",
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{
"id": 9,
"url": "http://www.surlimage.info/ecrits/couleur.html",
"domain": "surlimage.info",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fsurlimage.info",
"title": "De la couleur dans l'image - Surlimage",
"summary": "Mise à distance esthétique : le \"noir et blanc\", d'une façon générale permet que le regard s'attarde davantage sur la composition de l'image, sur ses lignes.",
"summary_detail": "",
"date": "",
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{
"id": 10,
"url": "https://openmigration.org/analisi/memorie-di-una-citta-30-anni-fa-la-nave-vlora-sbarcava-a-bari/",
"domain": "openmigration.org",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fopenmigration.org",
"title": "Memorie di una città: 30 anni fa la nave Vlora sbarcava a Bari",
"summary": "6 ago 2021 · Trent'anni fa l'arrivo della nave dall'Albania che per molti simboleggia l'inizio dell'era delle migrazioni in Italia.",
"summary_detail": "",
"date": "",
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{
"id": 11,
"url": "https://www.researchgate.net/profile/Pat-Thomson/publication/281678165_The_Photograph_as_witness/links/55f4088c08ae1d980394b670/The-Photograph-as-witness.pdf",
"domain": "researchgate.net",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fresearchgate.net",
"title": "The photograph as 'witness' Pat Thomson CHAPTER FOR ...",
"summary": "meaning – the denotative, which provides documentary evidence of material.",
"summary_detail": "",
"date": "",
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{
"id": 12,
"url": "https://www.rmg.co.uk/collections/objects/rmgc-object-12701",
"domain": "rmg.co.uk",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Frmg.co.uk",
"title": "An American Ship in Distress | Royal Museums Greenwich",
"summary": "It shows an American ship in the centre, perilously close to the shore.",
"summary_detail": "",
"date": "",
"flag": "🇬🇧",
"source_country": "GB",
"source_language": "",
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{
"id": 13,
"url": "https://zeithistorische-forschungen.de/2-2005/4632",
"domain": "zeithistorische-forschungen.de",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fzeithistorische-forschungen.de",
"title": "Die Geschichte hinter dem Foto | Zeithistorische Forschungen",
"summary": "21.04.2025 · Bilder spiegeln Geschichte nicht nur einfach wider. Vielmehr vermögen sie diese als Bildakt selbst zu prägen.",
"summary_detail": "",
"date": "",
"flag": "🇩🇪",
"source_country": "DE",
"source_language": "",
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},
{
"id": 14,
"url": "https://tru-vue.com/fr/knowledge-hub/articles/black-and-white-vs-color-photography-when-should-you-use-each/",
"domain": "tru-vue.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Ftru-vue.com",
"title": "Photographie noir et blanc ou photographie couleur : quand devriez-vous utiliser les deux ? -Tru Vue, Inc.",
"summary": "Quel est l'élément central de la photographie? Si le sujet et le message de l'œuvre priment sur la séduction visuelle de couleurs vives ou éclectiques, le noir et blanc s'impose.",
"summary_detail": "",
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{
"id": 15,
"url": "http://www.istitutoeuroarabo.it/DM/leterno-ritorno-delle-fotografie-migranti/",
"domain": "istitutoeuroarabo.it",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fistitutoeuroarabo.it",
"title": "The Eternal Return of Migrant Photographs",
"summary": "The article discusses how today's migrants can view photographs, like those in *The Seventh Man*, as a form of family album, providing a sense of identity and connection to collective experiences.",
"summary_detail": "",
"date": "",
"flag": "🇮🇹",
"source_country": "IT",
"source_language": "",
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},
{
"id": 16,
"url": "https://journals.sagepub.com/doi/10.1177/0304375415617623",
"domain": "journals.sagepub.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fjournals.sagepub.com",
"title": "Our Brothers' Keeper: Moral Witness - Sage Journals",
"summary": "Witnessing shapes history and memory. Witness testimony is evidence and something more than evidence.",
"summary_detail": "",
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{
"id": 17,
"url": "https://link.springer.com/chapter/10.1007/978-3-030-91275-8_8",
"domain": "link.springer.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Flink.springer.com",
"title": "Precarious Passages: On Migrant Maritime Mobilities, ca. 1907 | SpringerLink",
"summary": "Whereas the steerage passengers collectively underwent strict border controls in immigration stations such as Ellis Island, first- and second-class passengers were examined on board ship by a boarding division of entry inspectors. This examination was considerably faster and more cursory than the series of medical-psychiatric-criminological tests people were subjected to on Ellis Island (see Moreno 2004, XIII, 10).",
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{
"id": 18,
"url": "https://www.institut-fuer-menschenrechte.de/fotoserie",
"domain": "institut-fuer-menschenrechte.de",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Finstitut-fuer-menschenrechte.de",
"title": "People. Dignity. An (Un)finished Photo Series",
"summary": "This project features 20 individuals and explores the idea that a photo series representing people – rather than social groups or themes – can never truly be finished.",
"summary_detail": "",
"date": "",
"flag": "🇩🇪",
"source_country": "DE",
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{
"id": 19,
"url": "https://www.nikonpassion.com/couleur-et-noir-et-blanc-comment-pourquoi-faire/",
"domain": "nikonpassion.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fnikonpassion.com",
"title": "Couleur et noir et blanc : pourquoi choisir quand on peut avoir les deux ? | Nikon Passion",
"summary": "Le noir et blanc peut créer un sentiment d’intimité et de proximité avec le sujet en réduisant les distractions visuelles. En photographie de portrait, cela peut rendre le sujet plus accessible et vulnérable, permettant à la personne qui observe la photo de ressentir une connexion plus profonde.",
"summary_detail": "",
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"id": 20,
"url": "https://www.focus.it/cultura/storia/quando-i-migranti-eravamo-noi-le-foto-degli-europei-che-migravano-in-america",
"domain": "focus.it",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Ffocus.it",
"title": "Quando i migranti eravamo noi: le foto degli europei che migravano in America - Focus.it",
"summary": "Sul sito di Ellis Island basta immettere nome e cognome, e l’immenso database fornisce informazioni su luogo di provenienza, età, anno di arrivo, nome della nave e porto di partenza dell’emigrante.",
"summary_detail": "",
"date": "",
"flag": "🇮🇹",
"source_country": "IT",
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{
"id": 21,
"url": "https://www.thewatsoninstitute.org/wp-content/uploads/2020/04/Psychology-Photography-as-Witness-5-1.pdf",
"domain": "thewatsoninstitute.org",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fthewatsoninstitute.org",
"title": "Photography as Witness Photography as Witness",
"summary": "Dorothea Lange took this photograph in 1936, while employed by the U.S. government's Farm · Security Administration (FSA) program. In Nipomo, California, Lange came across Florence Owens · Thompson and her children in a camp filled with field workers whose livelihoods were devastated by · the failure of the pea crops. Recalling her encounter with Thompson years later, she said, \"I saw and.",
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{
"id": 22,
"url": "https://www.maritimearchives.co.uk/photographs.html",
"domain": "maritimearchives.co.uk",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fmaritimearchives.co.uk",
"title": "Photographs - Maritime Archives",
"summary": "Australia Australian National Maritime Museum Photographic Collections on Flickr Images from the museum's collection that are being made available on Flickr Commons Australian Passenger & Emigrant.",
"summary_detail": "",
"date": "",
"flag": "🇬🇧",
"source_country": "GB",
"source_language": "",
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{
"id": 23,
"url": "https://www.ifa.de/tournee/barbara-klemm-helldunkel-fotografien-aus-deutschland-bulgarien/",
"domain": "ifa.de",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fifa.de",
"title": "Barbara Klemm. Helldunkel. Fotografien aus Deutschland.",
"summary": "Die Fotografien von Barbara Klemm: Zeugnis einer geteilten Nation.",
"summary_detail": "",
"date": "",
"flag": "🇩🇪",
"source_country": "DE",
"source_language": "",
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},
{
"id": 24,
"url": "https://lartdelaphoto.fr/la-photo-noir-et-blanc-le-guide-pratique/",
"domain": "lartdelaphoto.fr",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Flartdelaphoto.fr",
"title": "La Photo Noir Et Blanc : Le Guide Pratique",
"summary": "En résumé, la photographie en noir et blanc consiste à rechercher une nouvelle perspective et à créer un visuel mieux raconté sans l’utilisation de couleurs.",
"summary_detail": "",
"date": "",
"flag": "🇫🇷",
"source_country": "FR",
"source_language": "",
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},
{
"id": 25,
"url": "https://ilmanifesto.it/antonio-biasucci-limmagine-dellincertezza",
"domain": "ilmanifesto.it",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Filmanifesto.it",
"title": "Antonio Biasucci, l'immagine dell'incertezza - Il Manifesto",
"summary": "27 set 2016 · Incontri Un incontro con il fotografo, tra i sette reporter italiani coinvolti nella missione che testimonia l'emergenza degli sbarchi dei.",
"summary_detail": "",
"date": "",
"flag": "🇮🇹",
"source_country": "IT",
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{
"id": 26,
"url": "https://www.llrmi.com/articles/legal_questions/4-apr08/",
"domain": "llrmi.com",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fllrmi.com",
"title": "Photographs as evidence and chain of custody - LLRMI - Police Training and Expert Services for Law Enforcement, Jails & Corrections, Insurance Pools, Risk Managers, and Attorneys",
"summary": "Thus, the chain of custody is typically used to ensure that evidence is not tampered with or altered and that the “identity and integrity” of the evidence remains intact. This “authenticates” the evidence in court so that it is admissible. Photographs are typically authenticated by a person who is familiar with the scene that was photographed providing testimony that the image in the photograph “fairly and accurately.",
"summary_detail": "",
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{
"id": 27,
"url": "https://www.rmg.co.uk/collections/our-collections-historic-photographs",
"domain": "rmg.co.uk",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Frmg.co.uk",
"title": "Our collections: Historic photographs | Royal Museums Greenwich",
"summary": "The photographs we hold cover a range of maritime subjects, from British and foreign warships and merchant ships to seaports, river and coastal views, and shipyards.",
"summary_detail": "",
"date": "",
"flag": "🇬🇧",
"source_country": "GB",
"source_language": "",
"connector": "",
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"id": 28,
"url": "https://www.stiftung-evz.de/assets/4_Service/Infothek/Publikationen/Bildungsarbeit_mit_Zeugnissen_Band_1.pdf",
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"title": "[PDF] ZEugNiSformEN",
"summary": "So verschieden wie die Menschen sind auch die Bilder: Vom Spott über an- dere Gefangene bis zu den intensiven Selbstdefinitionen des in Auschwitz ermordeten.",
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"url": "https://blog.artsper.com/fr/la-minute-arty/pourquoi-les-artistes-privilegient-la-photographie-en-noir-et-blanc/",
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"title": "Le pouvoir de la photographie en noir et blanc - Magazine Artsper",
"summary": "Rejoignez Artsper pour explorer l’attrait mystérieux de la photographie en noir et blanc. Gonçalo Martins, Nossa Senhora da Rocha Church, 2012, disponible sur Artsper · Il va sans dire que nous vivons dans un monde de couleurs. C’est ce à quoi nous sommes habitués.",
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"url": "https://www.laprovinciacr.it/news/cronaca/407620/il-fotoreporter-cavallari-per-40-giorni-a-bordo-della-ong-humanity1.html",
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"title": "Il fotoreporter Cavallari: «Per 40 giorni a bordo della Ong Humanity1",
"summary": "1 mar 2023 · Il reportage di Cavallari sui soccorsi in mare gli è valso il plauso della critica internazionale.",
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"url": "https://www.jstor.org/stable/26795048",
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"title": "Bearing Witness to Atrocity Crimes: Photography and International Law",
"summary": "Visual information is critical to documentary dossiers in cases of genocide, war crimes, and crimes against humanity. IV. VISUAL EVIDENCE IN INTERNATIONAL LAW.",
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"url": "https://seahistory.org/resources/image-collections/",
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"title": "Maritime Image Collections - National Maritime Historical Society",
"summary": "ritime Image Collections Here you’ll find links to several online maritime collections and archives databases.",
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"id": 33,
"url": "https://visualjournalism.de/image-matters/images-in-conflict/bilder-im-konflikt/",
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"title": "Editorial. Images in Conflict / Bilder im Konflikt",
"summary": "12.12.2024 · Zwei Praxiskontexte, die auf fotografische Zeugenschaft rekurrieren, beleuchten die Beiträge von Susanne Krieg und Emma Daly sowie Michael Ebert.",
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{
"id": 34,
"url": "https://tru-vue.com/fr/2019/06/black-and-white-vs-color-photography-when-to-use-each/",
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"title": "Black and White or Color Photography?",
"summary": "The article explains how early photography relied on black and white, allowing photographers to master techniques that can still provide photographs with a timeless and emotionally impactful quality.",
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{
"id": 35,
"url": "https://patrimonioculturale.regione.fvg.it/wp-content/uploads/2023/04/quaderni-ammer-in-viaggio.pdf",
"domain": "patrimonioculturale.regione.fvg.it",
"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fpatrimonioculturale.regione.fvg.it",
"title": "in viaggio dal friuli venezia giulia",
"summary": "molte immagini di bambini e di ragazzi migranti che hanno cambiato luoghi, abitudini, lingue, e che sono cresciuti in fretta in un mondo nuovo.",
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{
"id": 36,
"url": "https://www.taylorfrancis.com/chapters/mono/10.4324/9781003103516-3/documentary-photograph-evidence-michelle-bogre",
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"title": "The Documentary Photograph as Evidence | 3 | Documentary Photography R",
"summary": "Photographs have been used as forensic evidence in high profile trials. For example, photographs were used to determine if a skeleton found in Brazil was that of Josef Mengele, the last of the high-ranking Nazis.",
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{
"id": 37,
"url": "https://www.maritimephotographic.co.uk/",
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"title": "Maritime Photographic - Maritime Photographic",
"summary": "It’s our mission to provide up-to-date imagery of maritime-themed subjects for advertising, corporate communications, design, and editorial use. Our founder and owner, Gary Davies, is a former Royal Navy photographer with more than 35 years experience producing high-quality imagery for media, web and editorial output.",
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{
"id": 38,
"url": "https://www.haufe.de/recht/weitere-rechtsgebiete/prozessrecht/fotografieren-von-personen-zu-beweiszwecken-im-prozess_206_264834.html",
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"title": "Fotografieren von Personen zu Beweiszwecken im Prozess | Recht | Haufe",
"summary": "Wer in der Öffentlichkeit eine Person fotografiert, um damit in einem späteren Prozess ein Beweismittel an der Hand zu haben, handelt in der Regel nicht rechtswidrig. Die hiermit grundsätzlich einhergehende Verletzung des Persönlichkeitsrechts wird durch den Zweck gerechtfertigt.",
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{
"id": 39,
"url": "https://josselin-martin-photographe.fr/pourquoi-photographie-en-noir-en-blanc/",
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"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fjosselin-martin-photographe.fr",
"title": "Pourquoi la photographie en noir en blanc ? - Josselin Martin Photographie",
"summary": "Contrairement à ce que l’on pourrait croire, retirer la couleur ne limite pas une image, mais amplifie son impact émotionnel. En éliminant les teintes vives, le noir et blanc met en lumière des éléments souvent négligés : les textures, les formes, les contrastes et les émotions brutes.",
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"id": 40,
"url": "https://www.ravennatoday.it/eventi/mar-mostra-sebastiao-salgado-fotografie-migranti.html",
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"favicon": "https://www.google.com/s2/favicons?sz=64&domain_url=https%3A%2F%2Fravennatoday.it",
"title": "Al Mar gli scatti di Salgado. Un racconto di umanità e diversità",
"summary": "21 mar 2024 · Apre la mostra fotografica dell'artista brasiliano che racconta le migrazioni in 4 continenti: 180 scatti di forte impatto all'interno del.",
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"query": "A photograph can show us, in color or in black and white, what’s wrong, what’s right. Look with me inside this ship. 5 We see, through the lens, a crowd",
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